Much of what I mention will be from a SLR point of view, but can be applicable to most camera systems where you have a good degree of manual control. These suggestions are by no means comprehensive...just a few thing to get the beginner thinking.
1. Always take a tripod (a good tripod). Yes, even on a bright, sunny day. Many times you'll want to use a very small aperture (big f number) to achieve great depth of field. Even on a relatively bright day, your shutter speed may not be fast enough at small apertures to be able to hand hold your shot. Secondly, on a day with tough lighting conditions, you may want to bracket exposure your shot. If you use a very steady tripod, you can use the timer function (or better yet, a cable release) and take 3 exposure shots, and the image won't move even a pixel. This will allow you to later combine the images and vary the opacity at different regions to achieve the "perfect" exposure to the scene. Third, I find that the tripod really makes me a better composer. I take the time to make sure the horizon is straight, the subject is well placed, avoid distracting objects, etc. Oh yes, make sure your tripod is steady. There's no worse feeling than being in front of that perfect scene with your camera on the tripod and noticing that your system is shaking a little bit because of the windy conditions.
1. Always take a tripod (a good tripod). Yes, even on a bright, sunny day. Many times you'll want to use a very small aperture (big f number) to achieve great depth of field. Even on a relatively bright day, your shutter speed may not be fast enough at small apertures to be able to hand hold your shot. Secondly, on a day with tough lighting conditions, you may want to bracket exposure your shot. If you use a very steady tripod, you can use the timer function (or better yet, a cable release) and take 3 exposure shots, and the image won't move even a pixel. This will allow you to later combine the images and vary the opacity at different regions to achieve the "perfect" exposure to the scene. Third, I find that the tripod really makes me a better composer. I take the time to make sure the horizon is straight, the subject is well placed, avoid distracting objects, etc. Oh yes, make sure your tripod is steady. There's no worse feeling than being in front of that perfect scene with your camera on the tripod and noticing that your system is shaking a little bit because of the windy conditions.